Nikolay Feshin. Iz sobraniya Gosudarstvennogo muzeya izobrazitelnyh iskusstv Respubliki Tatarstan | Events | Moscow Seasons
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May 25August 22

Nikolay Feshin. Iz sobraniya Gosudarstvennogo muzeya izobrazitelnyh iskusstv Respubliki Tatarstan

Personalnaya vystavka Nikolaya Ivanovicha Feshina (1881-1955), odnogo iz naibolee yarkih hudozhnikov pervoy poloviny HH veka, stanet prodolzheniem sotrudnichestva Gosudarstvennoy Tretyakovskoy galerei i Gosudarstvennogo muzeya izobrazitelnyh iskusstv Respubliki Tatarstan v ramkah yubileynyh meropriyatiy v svyazi so 100-letiem obrazovaniya Respubliki (TASSR).



V Kazani hranitsya samoe krupnoe sobranie proizvedeniy hudozhnika, vklyuchayushchee zhivopis, grafiku, skulpturu, kotorye byli sozdany preimushchestvenno do ego emigracii v SShA v 1923 godu. V period uglublennyh iskaniy nacionalnogo svoeobraziya iskusstva v tvorchestve Feshina osobenno ostro realizovalis hudozhestvenno-plasticheskie zadachi epohi, a takzhe otkrylis novye temy, svyazannye s zhiznyu mnogonacionalnoy strany. Vpervye v Moskvu planiruetsya privezti zhivopisnye shedevry -- masshtabnye polotna «Oblivanie» (1911) i «Boynya» (1919). Mnogochislennye virtuozno ispolnennye portrety prodemonstriruyut vysochayshee masterstvo zhivopisca.
Personalnaya vystavka Nikolaya Ivanovicha Feshina (1881-1955), odnogo iz naibolee yarkih hudozhnikov pervoy poloviny HH veka, stanet prodolzheniem sotrudnichestva Gosudarstvennoy Tretyakovskoy galerei i Gosudarstvennogo muzeya izobrazitelnyh iskusstv Respubliki Tatarstan v ramkah yubileynyh meropriyatiy v svyazi so 100-letiem obrazovaniya Respubliki (TASSR).



V Kazani hranitsya samoe krupnoe sobranie proizvedeniy hudozhnika, vklyuchayushchee zhivopis, grafiku, skulpturu, kotorye byli sozdany preimushchestvenno do ego emigracii v SShA v 1923 godu. V period uglublennyh iskaniy nacionalnogo svoeobraziya iskusstva v tvorchestve Feshina osobenno ostro realizovalis hudozhestvenno-plasticheskie zadachi epohi, a takzhe otkrylis novye temy, svyazannye s zhiznyu mnogonacionalnoy strany. Vpervye v Moskvu planiruetsya privezti zhivopisnye shedevry -- masshtabnye polotna «Oblivanie» (1911) i «Boynya» (1919). Mnogochislennye virtuozno ispolnennye portrety prodemonstriruyut vysochayshee masterstvo zhivopisca.
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